New mix of our song "Todo se hizo negro" done by super talented musician: Robin Vargas from the group Drown from Canada. Enjoy this new mix which sounds super powerful. Edited under the name of his sound and musical entreprise: r.z.v. sound productions.
lyrics
"Todo se hizo negro"
Viendo como todo se deshace
Dejo de ser quién solía ser
Ya no sé quien soy
Ya no sé quien ser
Ya no sé quien soy
Ya no sé quien ser
Dejo de ser quien solía ser
Ya no sé quien voy a ser ahora
Ya no sé quien soy
Ya no sé quien era
Ya no sé quien soy
Y no sé quien voy a ser
Sintiendo como todo se termina
Siendo testigo de como se derrumba
Sintiendo como se deshace tu vida
Siendo paciente en el centro del huracán
Dejo de ser quien solía ser
Ya no sé quien soy
Ya no sé quien ser
Ya no sé quien voy a ser ahora
Ya no sé quien soy
Ya no sé quien era
Sintiendo como todo se termina
Siendo testigo de como se derrumba
Sintiendo como se deshace tu vida
Siendo paciente en el centro del huracán
credits
from Sintiendo como todo se termina,
released September 8, 2022
Drown, Robin Vargas, Nax, Nicolás Castello, Nicolás Garimano
Song credits: Nicolás Castello, Nicolás Garimano
Mixing: r.z.v. sound productions
Mastering: r.z.v. sound productions
supported by 5 fans who also own “Todo se hizo negro (R.Z.V. Mix)”
The Alt/ Underground 1980s & 90s just called me from a phone booth in the Mojave Desert, and they informed me to profusely thank these adventurous musicians for keeping it all alive & vital. It's very rare to hear music that invokes deep nostalgia upon the very first listen, but here it is.
Standout tracks for me:
Obsession
Body Aktiv
Home
Drown Below (wow, just wow)
Dangerous
Mother Tongue / Glitter Belly \m/(><)\m/
Wave a Dead Chicken Alan Tangento
There’s a mighty cinematic sweep in the songs on the latest from Badlands, the big and imposing orchestration with dreamlike vocals. Bandcamp New & Notable Nov 27, 2022
supported by 5 fans who also own “Todo se hizo negro (R.Z.V. Mix)”
Stunning and tranquil dream pop backed by strong shoegaze-like instrumentation. The two greatest facets of this album are the floaty female vocals that ride along the forefront and the expansive melodicism of the guitars that create moments of intensity
Everything is delivered with a crystalline clarity, never becoming too washed out in droning sounds. There are certainly efforts to balance the more spirited or slow-burn moments found throughout the record Lorenzo